Lynn Klemmer

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<channel>
	<title>Lynn Klemmer</title>
	<link>https://lynnklemmer.com</link>
	<description>Lynn Klemmer</description>
	<pubDate>Fri, 19 Jul 2024 06:25:21 +0000</pubDate>
	<generator>https://lynnklemmer.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Home</title>
				
		<link>https://lynnklemmer.com/Home</link>

		<pubDate>Tue, 12 Mar 2019 22:55:02 +0000</pubDate>

		<dc:creator>Lynn Klemmer</dc:creator>

		<guid isPermaLink="true">https://lynnklemmer.com/Home</guid>

		<description>
Lynn Klemmer is a multimedia artist. She graduated at the National College of Art and Design in Dublin with a BA in Fine Art &#38;amp; Visual Culture (2017) and at the University of Potsdam with an MA in European Media Studies (2023). 
Her practice works at the crossroads of analog and digital media, seeking to reconsider the place of the human in a rapidly evolving algorithmic, urban and natural landscape. By merging various visual elements, from natural imagery to digital symbols, advertisements and desolate urban structures, her films and installations suggest dissonant atmospheres and form hybrid audiovisual realities.&#38;nbsp;


She is also a co-founder of Mnemozine, a
Luxembourgish interdisciplinary research andart collective which manifests itself as a platform
for experiments in philosophy, sociology and
contemporary art practice. As co-director of Six Minutes Past Nine, she is currently hosting a new virtual research and studio program.</description>
		
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	<item>
		<title>Electric Blue</title>
				
		<link>https://lynnklemmer.com/Electric-Blue</link>

		<pubDate>Sat, 22 Jun 2024 18:34:01 +0000</pubDate>

		<dc:creator>Lynn Klemmer</dc:creator>

		<guid isPermaLink="true">https://lynnklemmer.com/Electric-Blue</guid>

		<description>Electric Blue Video, 35 seconds, 2024
 (commissioned by kultur.lx)A video pamphlet proclaiming art as an all-encompassing power-generating infrastructure. 

Drawing from a blue inkwell of analog and new media, such as distorted RGB video signals, VHS footage of high-voltage towers, and digital video collages, the video playfully highlights the magnetic push-and-pull of artistic creation. Through juxtaposition and synergism of images, it creates a gyrating vortex to represent the process by which art upends the world.

Where art touches, its colours seep through; where art lets go, structures collapse. Where its buzzing is felt, the order is upset; where its flickering is seen, things are set in motion. A source without a signal, as invisible and permeating as electricity, it is pure connection, pure relation, electromagnetic intuition.


&#60;img width="2886" height="1616" width_o="2886" height_o="1616" data-src="https://freight.cargo.site/t/original/i/bddff278e04e748a9d82f8f0a1ffb69772fdffa37e11a7ac0817e32a87811643/Screenshot-2024-06-22-at-20.39.44.png" data-mid="213420753" border="0"  src="https://freight.cargo.site/w/1000/i/bddff278e04e748a9d82f8f0a1ffb69772fdffa37e11a7ac0817e32a87811643/Screenshot-2024-06-22-at-20.39.44.png" /&#62;&#60;img width="2886" height="1616" width_o="2886" height_o="1616" data-src="https://freight.cargo.site/t/original/i/8e1c563f05fe6c82c1706513e90cbadc97b0948cc7176ce8db0feac021de70ad/Screenshot-2024-06-22-at-20.39.35.png" data-mid="213420754" border="0"  src="https://freight.cargo.site/w/1000/i/8e1c563f05fe6c82c1706513e90cbadc97b0948cc7176ce8db0feac021de70ad/Screenshot-2024-06-22-at-20.39.35.png" /&#62;&#60;img width="2886" height="1616" width_o="2886" height_o="1616" data-src="https://freight.cargo.site/t/original/i/1f748ffc3abd8a144273917aa36aad92d5bfd2e865d5edc786f62f1615dd17f7/Screenshot-2024-06-22-at-20.39.23.png" data-mid="213420755" border="0"  src="https://freight.cargo.site/w/1000/i/1f748ffc3abd8a144273917aa36aad92d5bfd2e865d5edc786f62f1615dd17f7/Screenshot-2024-06-22-at-20.39.23.png" /&#62;</description>
		
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	<item>
		<title>APPARATUS</title>
				
		<link>https://lynnklemmer.com/APPARATUS</link>

		<pubDate>Sun, 14 Jan 2024 12:42:52 +0000</pubDate>

		<dc:creator>Lynn Klemmer</dc:creator>

		<guid isPermaLink="true">https://lynnklemmer.com/APPARATUS</guid>

		<description>APPARATUS Video installation,&#38;nbsp;2023.&#38;nbsp;MUDAM residency with MNEMOZINE.APPARATUS is a collaborative project designed together with my art and research collective MNEMOZINE.
Over two weeks, we experimented with the concept of technological obsolescence and how past media may resurface with new vigour in the digital age.Two video works, L.I.S.A. and What Fires Together Wires Together, were exhibited alongside projects by MNEMOZINE and other international collectives in MUDAM’s East/West Galleries for their exhibition THE COLLECTIVE LABORATORY, 27.11.23 - 14.01.2024.&#60;img width="4672" height="7008" width_o="4672" height_o="7008" data-src="https://freight.cargo.site/t/original/i/ad5d110f49095cb814c45dc630ca16492ac4bcaed9033536f3c7e1dfdbd3890b/The-Collective-Laboratory_Mudam_-Fabrizio-VatieriDSC01578.jpg" data-mid="201683493" border="0"  src="https://freight.cargo.site/w/1000/i/ad5d110f49095cb814c45dc630ca16492ac4bcaed9033536f3c7e1dfdbd3890b/The-Collective-Laboratory_Mudam_-Fabrizio-VatieriDSC01578.jpg" /&#62;&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/f066a3af413ac95d645fe17b5fa43c4b0181d4ee3ca4086a337feedcb0912d4d/The-Collective-Laboratory_Mudam_-Fabrizio-VatieriDSC01554.jpg" data-mid="201683382" border="0"  src="https://freight.cargo.site/w/1000/i/f066a3af413ac95d645fe17b5fa43c4b0181d4ee3ca4086a337feedcb0912d4d/The-Collective-Laboratory_Mudam_-Fabrizio-VatieriDSC01554.jpg" /&#62;&#38;nbsp;&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/d6252a1c46c30a37dcf1fc230c4cec2bc0ca2da1b5e588064031b4e2fa1a0ced/The-Collective-Laboratory_Mudam_-Fabrizio-VatieriDSC01594.jpg" data-mid="201683498" border="0"  src="https://freight.cargo.site/w/1000/i/d6252a1c46c30a37dcf1fc230c4cec2bc0ca2da1b5e588064031b4e2fa1a0ced/The-Collective-Laboratory_Mudam_-Fabrizio-VatieriDSC01594.jpg" /&#62;
Photos © Fabrizio Vatieri
</description>
		
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	<item>
		<title>Oneiric Spills</title>
				
		<link>https://lynnklemmer.com/Oneiric-Spills</link>

		<pubDate>Sun, 12 Nov 2023 13:09:49 +0000</pubDate>

		<dc:creator>Lynn Klemmer</dc:creator>

		<guid isPermaLink="true">https://lynnklemmer.com/Oneiric-Spills</guid>

		<description>Oneiric Spills Video installation, 2023. Black velvet, salt, hay, tree trunk, leaves, lead, circuit boards.


An installation and corresponding video work grappling with occult

witchcraft rituals for predicting the future, such as bone throwing and

molybdomancy. Drawing parallels between algorithmic pattern

recognition and fortune telling, the work documents how new media

and superstition spill over into each other.


&#60;img width="2812" height="1870" width_o="2812" height_o="1870" data-src="https://freight.cargo.site/t/original/i/0eaa64d0c456da6cf19878a881405185af9fee17ef37b04330abd4d7bf4b93d2/Screenshot-2023-11-12-at-14.23.33.png" data-mid="196611215" border="0"  src="https://freight.cargo.site/w/1000/i/0eaa64d0c456da6cf19878a881405185af9fee17ef37b04330abd4d7bf4b93d2/Screenshot-2023-11-12-at-14.23.33.png" /&#62;

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</description>
		
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	<item>
		<title>Burial of a Certain Presence</title>
				
		<link>https://lynnklemmer.com/Burial-of-a-Certain-Presence</link>

		<pubDate>Fri, 19 Jul 2024 06:25:21 +0000</pubDate>

		<dc:creator>Lynn Klemmer</dc:creator>

		<guid isPermaLink="true">https://lynnklemmer.com/Burial-of-a-Certain-Presence</guid>

		<description>
Burial of a Certain Presence&#38;nbsp;Photography series, 2023-ongoing


An ongoing photographic series created in collaboration with photographer Mathieu Buchler. Through staged black-and-white and colour photographs of installations, performances and both morbid and serene natural scenery, the project seeks to grapple with distorted memories, rituality, death, love and

healing.


&#60;img width="2744" height="1826" width_o="2744" height_o="1826" data-src="https://freight.cargo.site/t/original/i/af1646dd1ca074e3535f9e0479611c823331ce068a98678035ac7c7e40f4ba63/Screenshot-2023-11-12-at-14.23.43.png" data-mid="214897912" border="0"  src="https://freight.cargo.site/w/1000/i/af1646dd1ca074e3535f9e0479611c823331ce068a98678035ac7c7e40f4ba63/Screenshot-2023-11-12-at-14.23.43.png" /&#62;
Exhibition view, Kulturfabrik ©Mathieu Buchler
</description>
		
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	<item>
		<title>L.I.S.A</title>
				
		<link>https://lynnklemmer.com/L-I-S-A</link>

		<pubDate>Thu, 06 Jul 2023 11:52:10 +0000</pubDate>

		<dc:creator>Lynn Klemmer</dc:creator>

		<guid isPermaLink="true">https://lynnklemmer.com/L-I-S-A</guid>

		<description>
L.I.S.A. is an ongoing series of experimental reflections on screens, fictions and reality.
L.I.S.A.&#38;nbsp;Video 2023
“L.I.S.A.” is an eight-minute single-channel video. It shows a sequence of unedited and edited scenes captured from unencrypted CCTV camera feeds. It contains a poem in the form of yellow subtitles as well as an audio piece and is intended to act as a seductive veil whose secret one seeks to lift. By delving into this sequence of poor-quality videos, the viewer is supposed to invent a narrative, imagine characters and relationships between the images. The project reveals a mediating, fictional level in our experience which distorts the relationship between subject and reality.


&#60;img width="1706" height="957" width_o="1706" height_o="957" data-src="https://freight.cargo.site/t/original/i/29a445c0d1ca9b74652a05be4db653548984a2a2d0a3d08bb3d215966da8b603/Screenshot-2023-07-06-at-14.05.45.png" data-mid="184322327" border="0"  src="https://freight.cargo.site/w/1000/i/29a445c0d1ca9b74652a05be4db653548984a2a2d0a3d08bb3d215966da8b603/Screenshot-2023-07-06-at-14.05.45.png" /&#62;


&#60;img width="1709" height="958" width_o="1709" height_o="958" data-src="https://freight.cargo.site/t/original/i/2dc3f53b932b4c058c4c04bc8e2bcbc8344f7e877e716723e3b2c4232b070c39/Screenshot-2023-07-06-at-14.05.23.png" data-mid="184322330" border="0"  src="https://freight.cargo.site/w/1000/i/2dc3f53b932b4c058c4c04bc8e2bcbc8344f7e877e716723e3b2c4232b070c39/Screenshot-2023-07-06-at-14.05.23.png" /&#62;


&#60;img width="1708" height="959" width_o="1708" height_o="959" data-src="https://freight.cargo.site/t/original/i/d7e92f334183db7fa1391760357e4ad012896f577be2c81d7eef6f5a1aaca753/Screenshot-2023-07-06-at-14.05.07.png" data-mid="184322331" border="0"  src="https://freight.cargo.site/w/1000/i/d7e92f334183db7fa1391760357e4ad012896f577be2c81d7eef6f5a1aaca753/Screenshot-2023-07-06-at-14.05.07.png" /&#62;


&#60;img width="1708" height="957" width_o="1708" height_o="957" data-src="https://freight.cargo.site/t/original/i/b2a402919a70e01bcafb34bd54a5fb339f86bfd749ef18a85b4b4c1e2322cc6f/Screenshot-2023-07-06-at-14.04.15.png" data-mid="184322333" border="0"  src="https://freight.cargo.site/w/1000/i/b2a402919a70e01bcafb34bd54a5fb339f86bfd749ef18a85b4b4c1e2322cc6f/Screenshot-2023-07-06-at-14.04.15.png" /&#62;


L.I.S.A.: Act I,&#38;nbsp;Three-channel video installation 2023

“L.I.S.A.: Act 1” is a video installation that shows a heavily draped blue curtain from multiple angles while an atmospheric sound piece plays in the background. The entrance and exit into and out of the exhibition context are covered with transparent, blue PVC strips, and fossils of industrial tubes are placed in front of the projection, evoking a shattered, ruinous landscape.The installation questions how screened images reveal themselves to us and highlights the material, phenomenological and fictional layers they traverse. As such, the work attempts to open up the question of whether screens themselves act as a type of transparent curtain which, maybe mischievously, maybe constitutively, disappear in our perception of the images they contain.


&#60;img width="1206" height="1816" width_o="1206" height_o="1816" data-src="https://freight.cargo.site/t/original/i/41a359bc643ef58e62f9bb5b4fcaa5fed6a1bd100e43457068eb2c94aebec205/Screenshot-2024-06-02-at-14.45.39.png" data-mid="212171082" border="0"  src="https://freight.cargo.site/w/1000/i/41a359bc643ef58e62f9bb5b4fcaa5fed6a1bd100e43457068eb2c94aebec205/Screenshot-2024-06-02-at-14.45.39.png" /&#62;&#60;img width="1210" height="1822" width_o="1210" height_o="1822" data-src="https://freight.cargo.site/t/original/i/48dc17835a77919ef87c92571ed944663f2dded2ba6ff0ed3583b6b3a6d57310/Screenshot-2024-06-02-at-14.45.30.png" data-mid="212171083" border="0"  src="https://freight.cargo.site/w/1000/i/48dc17835a77919ef87c92571ed944663f2dded2ba6ff0ed3583b6b3a6d57310/Screenshot-2024-06-02-at-14.45.30.png" /&#62;&#60;img width="2730" height="1816" width_o="2730" height_o="1816" data-src="https://freight.cargo.site/t/original/i/f25a2ab5f08939ce9e396ddc626e94dafd0d244b545c3d6dab078fc1a0b63050/Screenshot-2024-06-02-at-14.45.16.png" data-mid="212171084" border="0"  src="https://freight.cargo.site/w/1000/i/f25a2ab5f08939ce9e396ddc626e94dafd0d244b545c3d6dab078fc1a0b63050/Screenshot-2024-06-02-at-14.45.16.png" /&#62;&#60;img width="2808" height="1864" width_o="2808" height_o="1864" data-src="https://freight.cargo.site/t/original/i/e2d91bd9e2b3e760e1f84eae2a73a9ebca83d5cad6d1e80aa452846b49df7bd8/Screenshot-2024-06-02-at-14.45.06.png" data-mid="212171085" border="0"  src="https://freight.cargo.site/w/1000/i/e2d91bd9e2b3e760e1f84eae2a73a9ebca83d5cad6d1e80aa452846b49df7bd8/Screenshot-2024-06-02-at-14.45.06.png" /&#62;</description>
		
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	<item>
		<title>Untitled Transmission</title>
				
		<link>https://lynnklemmer.com/Untitled-Transmission</link>

		<pubDate>Sat, 21 Jan 2023 15:22:35 +0000</pubDate>

		<dc:creator>Lynn Klemmer</dc:creator>

		<guid isPermaLink="true">https://lynnklemmer.com/Untitled-Transmission</guid>

		<description>Untitled Transmission Installation 2022 - Wood, mixed media, 300x200cm
“Untitled Tranmission” is an installation consisting of a wooden sculpture resembling a high voltage tower placed in front of a greenscreen surrounded by lights.&#38;nbsp;

The installation is meant to evoke a filmset in which the colour green acts as a referent to the greenscreen’s inherent possibility to bridge the gap between the fictional and the real, to technology more generally, but also to the natural world. 

In this constellation I also reflect upon screens, which act as physical mirrors or, when turned on, as gates into the digital realm. While all elements have their own meaning, they form new semantic connections when put in relation to each other.

The work is supposed to be puzzling while being impressive due to its size. It acts as a reminder of the omnipresence and yet invisibility or non-apparentness of ubiquitous new media, phones, computers and interfaces, but also of the infrastructure of electricity itself.

Marshall McLuhan states “The electric light&#38;nbsp;is&#38;nbsp;pure&#38;nbsp;information. It is a medium without a&#38;nbsp;message.” Electricity is the best example of an infrastructure which dictates our everyday life while being completely invisible. We only see the infrastructures like cables and sockets, yet its actual power is felt only in non-apparent ways: as ripples of political conflict or as a commodity in the lifeworld.
&#60;img width="2840" height="1890" width_o="2840" height_o="1890" data-src="https://freight.cargo.site/t/original/i/75df53b0987c6f3a7006371c0bef910e087b19bcdbe53d801403149d2b0d5806/Screenshot-2023-01-21-at-16.26.01.png" data-mid="165490558" border="0"  src="https://freight.cargo.site/w/1000/i/75df53b0987c6f3a7006371c0bef910e087b19bcdbe53d801403149d2b0d5806/Screenshot-2023-01-21-at-16.26.01.png" /&#62;&#60;img width="1254" height="1894" width_o="1254" height_o="1894" data-src="https://freight.cargo.site/t/original/i/b6787b094aeada62ea01ef1fe7efce04cb030944c2d467cc765da492f58366c9/Screenshot-2023-01-21-at-16.27.04.png" data-mid="165490559" border="0"  src="https://freight.cargo.site/w/1000/i/b6787b094aeada62ea01ef1fe7efce04cb030944c2d467cc765da492f58366c9/Screenshot-2023-01-21-at-16.27.04.png" /&#62;
Photos by Lynn Theisen. Exhibition View, Leap2022, Rotondes</description>
		
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	<item>
		<title>Mother Of All Demons</title>
				
		<link>https://lynnklemmer.com/Mother-Of-All-Demons</link>

		<pubDate>Sat, 21 Jan 2023 15:04:17 +0000</pubDate>

		<dc:creator>Lynn Klemmer</dc:creator>

		<guid isPermaLink="true">https://lynnklemmer.com/Mother-Of-All-Demons</guid>

		<description>The Mother Of All Demons&#38;nbsp; Three digital images printed on artificial leather, 180x90cm

	
“The Mother of all Demons” is a selection of three digitally crafted images printed on faux leather, giving them a skin-like texture. To produce the images I disassembled my old personal computer and excavated the motherboard. A closeup of the circuit board is the starting point for the images which have been manipulated, distorted, glitched and layered in various programs. The straight lines of the motherboard turn into waves or flames and give the impression of chaos and ferocity. Rusty nails, gathered from burnt firewood, are used to pin the images onto the wall. 

The images are a reflection on the natural side of technology and computers, highlighting and questioning the maternal and creative dimension of the term ‘motherboard’ (given for its hub-like quality and the possibility to insert extension-devices), as well as juxtaposing the solid green protective solder mask of a motherboard with the soft and pliable texture of leather.

The title, “The Mother of all Demons”, is a haunting reference to and reimagination of the “Mother of all Demos”, the first demonstration of many of the fundamental elements of modern personal computers by Douglas Engelbart in San Francisco in 1968.&#38;nbsp;&#60;img width="948" height="1900" width_o="948" height_o="1900" data-src="https://freight.cargo.site/t/original/i/ab3b0de22cace2d3f44edc19fa0e3d580b0a8fbebc4b9338498a5683e3d77dbe/Screenshot-2023-01-21-at-16.17.21.png" data-mid="165490295" border="0" data-scale="31" src="https://freight.cargo.site/w/948/i/ab3b0de22cace2d3f44edc19fa0e3d580b0a8fbebc4b9338498a5683e3d77dbe/Screenshot-2023-01-21-at-16.17.21.png" /&#62;&#38;nbsp;&#38;nbsp;&#60;img width="950" height="1898" width_o="950" height_o="1898" data-src="https://freight.cargo.site/t/original/i/14a5b476780334a8ef4c321ad8a6fe5db1e3767db7d7c7bcccf7bb980b9120b7/Screenshot-2023-01-21-at-16.17.46.png" data-mid="165490170" border="0" data-scale="31" src="https://freight.cargo.site/w/950/i/14a5b476780334a8ef4c321ad8a6fe5db1e3767db7d7c7bcccf7bb980b9120b7/Screenshot-2023-01-21-at-16.17.46.png" /&#62; &#38;nbsp;&#60;img width="948" height="1900" width_o="948" height_o="1900" data-src="https://freight.cargo.site/t/original/i/5d7df694021fe47b0f5d2e3151a57404cb7f8e9b81938411f52088efd0733813/Screenshot-2023-01-21-at-16.17.34.png" data-mid="165490319" border="0" data-scale="31" src="https://freight.cargo.site/w/948/i/5d7df694021fe47b0f5d2e3151a57404cb7f8e9b81938411f52088efd0733813/Screenshot-2023-01-21-at-16.17.34.png" /&#62;
&#60;img width="1652" height="1376" width_o="1652" height_o="1376" data-src="https://freight.cargo.site/t/original/i/1c719f486d59cace8eeef2ebb8b82fde3e0f0c9cd9faf02ce9c29054bf6203a3/Screenshot-2023-01-21-at-16.15.06.png" data-mid="165490069" border="0"  src="https://freight.cargo.site/w/1000/i/1c719f486d59cace8eeef2ebb8b82fde3e0f0c9cd9faf02ce9c29054bf6203a3/Screenshot-2023-01-21-at-16.15.06.png" /&#62;
Photo by Lynn Theisen. Exhibition View, LEAP2022, Rotondes</description>
		
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	<item>
		<title>I Will Not Return To A Universe Of Objects That Don't Know Each Other</title>
				
		<link>https://lynnklemmer.com/I-Will-Not-Return-To-A-Universe-Of-Objects-That-Don-t-Know-Each-Other</link>

		<pubDate>Sat, 21 Jan 2023 14:27:52 +0000</pubDate>

		<dc:creator>Lynn Klemmer</dc:creator>

		<guid isPermaLink="true">https://lynnklemmer.com/I-Will-Not-Return-To-A-Universe-Of-Objects-That-Don-t-Know-Each-Other</guid>

		<description>I Will Not Return To A Universe Of Objects That Don’t Know Each Other Series of Site-Specific Installations, 2022

	
Sparked by an epiphanic reading of Lisel Mueller’s poem “Monet refuses the operation”, this series of installations explores the possibility of reconsidering our engagement with the internet as a transcendent spatial experience in which the “world is [still] flux”. The poem reflects on Monet’s initial decision to not medically treat his cataract, a condition in which the eye becomes increasingly opaque, and how this refusal might even have benefited his painting. Mueller’s crucial insight is that an apparent flaw can create openings towards new experiential paradigms and even reveal the limitations of the purely functional order of things. Following this idea, the installations seek to shed a different light on what is effectively dismissed as non-sensical oddities in our habitual cyber-interactions: failed algorithmic pattern recognitions, dead links leading nowhere, bad gateways, pages without apparent functions, visual glitches or liminal, ‘dangerous’ hosts. These phenomena are gradually vanishing in the increasingly streamlined online experience on private platforms, a fact which may well be seen as the true cataract befalling the digital user: a growingly opaque interaction with a medium of untapped vivid possibility. The installations therefore attempt to make the viewer adventure into the repressed imaginary of the internet’s banished ruins without the aid of an interface.
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Photo by Mike Zenari
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		<title>What Fires Together Wires Together </title>
				
		<link>https://lynnklemmer.com/What-Fires-Together-Wires-Together</link>

		<pubDate>Wed, 12 Jan 2022 21:10:16 +0000</pubDate>

		<dc:creator>Lynn Klemmer</dc:creator>

		<guid isPermaLink="true">https://lynnklemmer.com/What-Fires-Together-Wires-Together</guid>

		<description>What Fires Together Wires Together&#38;nbsp; Installation &#38;amp;&#38;nbsp;Film — 8 Minutes, 2022 Wooden Box, Carpet, Sofa Chair, Blinds, Tbles, Clock, Paintings, Plant, Suitcase, Plant, Suitcase, Mirror, Medical Cabinet, Lamps, CRT TV, Chair, 366x244 cm

	
A short film, shot entirely on a VHS-C
movie camera, exploring the themes of neuroplasticity, electricity, and the
magnetic field between images and meaning. It attempts to connect with the
viewer through plot-charged image fragments and silent subtitles. The work is shown in a filmset-like installation containing references to the film’s imagery. Built as a walled-off room within a room, it invites the viewer to step outside the gallery space and step into a ‘virtual’ domestic space, or to exit the skull and enter the brain.&#38;nbsp;

						The title refers to neuropsychologist Donald Hebb, known for his discovery that
adjacent neurons weld together through repeated experiences and thoughts.
Extreme stress or trauma can produce paranoia, anxiety, schizophrenia, or
other mental disorders.

						In an emergency, the brain looks for patterns and connections, a phenomenon
called apophenia, to protect itself from potential danger. Digital algorithms
exhibit similar behaviour. When patterns rule, contingency becomes obsolete.
However, in this meaning-charged equilibrium, a certain rogue voltage remains,
like an electric current about to short circuit.
The language of this tension is what this movie tries to express.&#38;nbsp;


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